I think the problem, if you concede there is a problem, is that we are 5 decades removed from the source of this thing. So now we’re doing stories about the fate of Jabba the Hutt’s kid, yoda’s second cousin and sections of the lore that exist somewhere between a three different cartoon series’s and six sequels.
There is a character in this, a gorilla alien or something, and I know I have seen him in like five seasons of Star Wars Rebels … and I couldn’t tell you his name if I tried.
The first two seasons of The Mandalorian are the best Star Wars since Empire. They found the essence of the franchise and asked nothing of you except to enjoy the adventures.
And those stories found a new path and a different way to do the thing.
And now, well, it’s just too much. Too many hanging characters with 30 years of backstory that keep getting serviced at the expense of just telling a new story.
I remember when people were complaining about MCU homework and I thought those people are crazy. But, obviously, I’m a Marvel fanatic who is steeped in every inch of the comic stories cause I’ve been buying them for decades. It’s not homework if you love it.
But Star Wars is rarely my jam. I find even the really good entries to be too silly and childish most of the time. When everyone kept saying the sequels were bad I kept thinking, ‘nah, it’s the same level of bad it’s always been.’
There was probably a really good 90 minute feature in here. Or an excellent three part section of the next season.
Years ago, I staggered1 out of Mad Max Fury Road, going, ‘How did they do that?’
I feel the same way now with The Invite. There are no flaming guitars and death-defying wire stunts here, though. Instead, it’s how did they write a script so funny and sharp and then direct the hell out of it so much that a four-person gab fest is one of the best films I’ve seen this year.
Not just good, but good in a way that, almost from the start, you can’t look away. You gasp and laugh and wait to see what unforgettable thing will get said next.
It’s gobsmacking.
Could this be a play? Sure, but it’s cinema all the way down. Music, and editing, and a collusion of actors to make it all move with a wonderful, unbreakable pace.
Does Olivia Wilde keep looking at the camera like Jim from The Office? Yes. But it’s still funny.
The funny works all the way through. The drama at the end felt a little too tacked on. The morning after a hangover following a wild night.
While I may not have loved it, it still felt true.
At one point, Seth Rogan shouts, “Can’t you just let me be miserable!” And as a happily married man of nearly 20 years now, I felt that in my bones.
It’s early, of course, but I certainly hope Olivia Wilde gets a directing nomination. I think this is probably the easy winner for writing. How could it not be?
Seth Rogan works hard, man, or he’s always working, or maybe he just insists upon himself. But whatever you think of him, he is exceptional here.
This is one of the best movies of the year.
Other movies I staggered out of: Braveheart, Casino, and Fargo. ↩︎
So much to unpack here and despite the jokes about spoilers for a several thousand year old story — that most of us were taught in school — there will in fact be spoilers in this review.
First, I joked with a friend before seeing this movie that if Sir Christopher Nolan told this tale with a timeline that went from the middle out I was going to scream so loud the sirens would cover their ears.
Well, Nolan gonna Nolan.
Still, the master has mixed the spectacle and storytelling chops of Steven Spielberg with the frenetic pace of Martin Scorsese.
So, while it’s epic in scope, no one scene or shot or moment is epic in length. This gives Nolan the freedom to make it through a saga in 2 and a half hours. However, like Oppenheimer, once the show starts it ramps up to a frenetic pace and never slows down.
To be fair and to do Nolan’s particular skills justice this is not a timeline experiment or a puzzle like several of his other works. Instead, it is a tale told by several storytellers who are weaving in and out of various parts of the yarn.
Nolan doesn’t really depict the gods here, you will get no Olympus and the one god who moves through the story is a manifestation of Odysseus’ guilt and not truly noble Athena.
This narrative gives Nolan a bit of a cheat as nearly every fantastic thing that happens is not presented as fact but rather as the memories of a veteran suffering from enormous guilt and post traumatic stress disorder.
So you can see the magic and monsters as true or you can see them as the symbols of tragedy, loss, and despair of a man who sacrificed most of his life to war.
This idea is not new to me but it is correct that Nolan’s Odyssey is somehow a thematic sequel to Oppenheimer. Both are about men who believed they were doing what they must do to defeat implacable enemies only to find that their ingenious solutions destroyed themselves and their civilizations.
Nolan, being Nolan, somehow gives even this tale a central mystery that deepens the narrative and provides structure to the whole enterprise.
Why does brave and cunning, Odysseus choose not to return home? What truly keeps him from his wife and son?
Ages ago, when I was in high school, Mr. Cramer told us of the Greek Myths and explained Joseph Campbell’s The Hero with a Thousand Faces.
Almost every hero will have a mysterious birth, be trained by a mentor, overcome challenges that most men cannot and then die and be reborn.
These similarities connect all of our great myths from Odysseus to Hercules, to King Arthur and on to Luke Skywalker.
Arrogant Odysseus loses his entire crew and his ship and goes into the water to his death, Mr. Cramer said. When he comes out of the water he is finally humbled and now reborn and can return home.
Nolan depicts this slice of the movie as a man who must finally give up control and give himself over to the will of the gods.
Which is interesting coming from a guy who turned a whole industry around by resurrecting film, and then branding it in such a way that almost guarantees whatever he makes will be a blockbuster. And, and, and, he is almost alone in shooting movies in a practical way that is exorbitantly costly but somehow incredibly lucrative.
So when exactly does Sir Christopher Nolan give up control?
Perhaps when you let go of the film and give it to theaters?
On this it seems that Nolan should have no fears. Screenings of The Odyssey sold out a year in advance. People are literally delaying pregnancies in order to make sure they can travel and see this thing in 70 mm.
Of course, I do wonder if that tale is true or if it’s just a myth invented by a canny filmmaker who has mastered both the art and the commerce of Hollywood.
Let’s wrap this up Nolan style with some breakneck final thoughts.
Odysseus and his crew spend so much time running away from danger and back to their ships that I thought Matt Damon should have been replaced with the king of running in movies: Tom Cruise.
They flee so much that someone should have hired John Cleese to shout, “Run Away!”
The cast is stacked and Nolan makes excellent use of everyone. Except maybe Zendaya. Anne Hathaway steals the thing from all the boys though.
This is more a horror movie than an action tale. Was not quite prepared for that.
Nolan gives you the cyclops, Circe and her magic, Scylla, Charybdis, the sirens, Penelope’s loom, Agemmenon’s fate, Hades, Calypso’s island vacation, the sack of Troy and the most violent homecoming in myth. All this, and he still leaves enough room for you to treat Troy as a prequel.
Seen in IMAX 70 mm at Indiana State Museum about an hour away from home with a sold out crowd. Had to watch it at 9:30 pm to get a seat. Took a vacation day the next day. Worth it.
If you can suspend disbelief enough that when the bumbling human detective thanks a group of sheep for solving a murder then this is the whimsical, charming flick for you.
I loved it. My mystery loving mother will love it. You mileage may vary.
There are several lovable characters in this thing. Not all of them sheep but a lot of them are sheep. The sheep can talk to each other but not to the humans.
The difficulties of life as a sheep and the philosophy of sheep are discussed in great detail.
There is also murder. And the sheep turn into very good detectives.
There is a lot going on here both in the text and the subtext. Just listen as the sheep try to decipher God. But it’s also a movie that recognizes and discusses the plot points of mystery novels and then proceeds to follow them point by point.
Look, if Julia Louis-Dreyfus, Bryan Cranston, Rhys Darby, Regina Hall, Brett Goldstein and Sir Patrick Stewart all want to voice a flock of CGI sheep I say let the wool fly.
A cozy, funny, sad and at times action packed murder mystery.
I guess now if they ever make a movie about those cats who solve crimes I’ll have to watch it.
Minus half a star for changing the name of the book into something bland.
Three Bags Full was a perfect title for a sunshiney and crackling sheep murder mystery.
I’ll take almost any movie where everyone knows Kung Fu but how wonderful it is to get one that is so well made.
This flick is not interested in character development because it sticks to its lane of noble good guys verses unique and in a few cases downright hissable bad guys.
Sprinkle in winks to Akira, Lone Wolf and Cub and a whole lot of The Raid and what we have here is a spectacular two hours of fights and stunts.
Sometimes you just want to know what big guy Turtle Style looks like against Tiger Style you know?
Anytime Miao Xie did one of his feints and held someone at bay with his deadly outstretched palm or by a foot that was ready to strike I cheered.
Late in the movie five guys (all furious) square off and for a brief moment Director Kenji Tanigaki cut to a split screen of all of their faces.
After I was done howling I thought, ‘here is a man who knows his business.’
In summary, cool movie, cool fights, with a plot, story and characters who are only there to give us a cool movie with cool fights.
Anyway, this is a one or two star movie with a five star Nic Cage performance in it.
Every so often I try to make it through a series of Nic Cage films just because the completionist in me can’t help it and because you never know when the next Pig or Joe could be lurking in the shadows.
This viewing of Last Kiss was prompted by the latest wild interview Cage gave to The New York Times.
I don’t want to give anything away but there is a reason I think he’s one of our finest actors and perhaps one of the greatest bullshit artists of all time.
I don’t think he’s lying to us or the interviewers or the world at large. I think he’s lying to himself because he has to in order to justify himself. He has to convince himself that he’s doing art and not just cashing a check even when he is starring in what most of us would recognize as 0 star dreck.
There was an interview with Bill Murray where he said he took the Garfield movie because he thought the Coen Brothers were doing it. Then when he realized that he got the names wrong and what he had signed up for it was too late.
But instead of backing out he read the script and said to himself, “I can fix it.”
Maybe all actors do that or maybe just the guys and girls who need a check.
I dunno.
But I believe in Nic Cage.
So the one thing that I want to draw your attention to is that amazing accent Cage is living with in this film. That accent is from outer space. But it’s clear that it’s what the character things a wealthy successful young New Yorker should sound like.
So it isn’t Nic Cage acting it’s Cage’s character doing a something with more and less emphasis depending on who he’s with at the time.
Cage is a big comic book guy so maybe he will enjoy this reference. You know when he reads a blog as he is want to do.
Issue 14 of Nth Man: Beyond World War III has statement on it’s cover that has never left me since I saw it in 1990. The comic was written by Larry Hama and drawn by Ron Wagner.
Galactus the giant world eating Jack Kirby and Stan Lee creation is being bullied by a demonic creature that is bigger than him and another person towers over them all.
And the demon says, “There are worlds within worlds little man!”
Lord of war
Two good Nic Cage movies in a row. I feel like I hit … snake eyes 🐍.
Anyway deadly funny and a decent amount of tension. It falls apart when it’s about anything (marriage problems, addiction) other than gun running.
But it is very very good when it gives you that inside look at the criminal enterprise and personalities involved.
Predictable in parts — I literally said, “car bomb” before it happens in the flick — but not so predictable that you can call it all.
Cage’s final speech to his law dog adversary (Hello Ethan Hawke) is not quite up there with the final comments in Casino, Goodfellas, Fight Club and the utterly perfect Killing Them Softly.
But it is a sneaky rage filled little diatribe. There is solid work here all around. Precious few explosions but the speechifying mostly makes up for it.
Spider-Noir
It’s good. I’m enjoying it. I’m only a couple of episodes in so a full review is not something I want to do.
Cage doing Bogart with some super hero hijinks thrown in. And Brendan Gleason as the heavy! Just excellent work.
I should probably watch it in Black and White like Cage wants. But I’m a heathen.
Despite all the effort, dollars spent, words written and time wasted there have only been two good Hannibal Lecter movies.
This and Silence of the Lambs.
Director Jonathan Demme brought the Thomas Harris book to life in Silence of the Lambs. And Michael Mann took a Harris book and turned it into a Michael Mann movie.
Harris and Mann were so early to serial killers and profilers in popular fiction that they are basically inventing the formula here.
The next four or five decades of television and film are filled with variations of cops hunting serial killers and serial killers hunting each other and diminishing returns of Hannibal Lecter sequels and prequels.
I have never seen the show but the fact that there is a show is a particular kind of failure no matter how good the episodes might be.
Anyway, this is visually stunning, cause of course it is, the synth score speaks to me and if the whole enterprise doesn’t quite hit a high note for me it’s just because, once again, Mann is forever more interested in visuals than he is with dialogue.
William Peterson really rocks here and if you have seen this and To Live and Die in LA you have to wonder how he never managed to really break through or break out. CSI was a hit, of course, but this guy was magic when you handed him the ball on the big screen.
To be fair, no one, except maybe Harris knew what they had in a character as intriguing as Hannibal Lector so you shouldn’t fault Mann for limiting his screen time in a story that doesn’t really have much to do with him.
But I’m a catty old man and I do fault him. Mann literally told people he thought he should limit Lector’s presence in the movie. What an incredible mistake.
Ah well, you must give credit where it is due and if this is only the second best Lector movie that’s still quite the achievement. They’ve come at it one way or another for four decades and most of them still haven’t topped it.
I would not call myself a fan of the genre but in the world of film there’s only like what 4 or five really great serial killer flicks?
This, Silence of the Lambs, Seven and Zodiac.
Funny thought, but we really should hand Lecter down generation after generation like Hamlet.
So I say it’s time for a remake. Get Tom Hardy to play Lecter and Timothy Chalamet to be Will Graham. Jenna Ortega can cameo as Clarice at the end.
Hardy would be great even if none of us will understand a damn word he says.
The moral of the story is, is we’re here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don’t realize, or they don’t care, is we’re dancing animals. You know, we love to move around. And, we’re not supposed to dance at all anymore. – Kurt Vonnegut
One of the joys of being a fan of a major sport and sports teams is that you can endlessly complain about it.
If you will indulge me, I want to take a moment to tell you that the new Automated Ball-Strike challenge system in Major League Baseball is an affront to all that is good and holy in the world, should be immediately dismantled, and we as fans should storm the parks, take the equipment down, set it on fire, and dance around the ashes.
Why? Because the last thing we should ever have in a sport as wonderful as baseball is a definitive answer. Especially an answer derived from a soulless computer program that is using a collection of ones and zeroes to determine if the ball passed inside or outside of the strike zone.
The strike zone was handed down to us by our forefathers, and there are only a few people ordained by the baseball gods who are allowed to determine whether a pitch is a ball or a strike.
They are, in no particular order, a Major League umpire with astigmatism, a very drunk uncle at the family barbecue, a mom making weekend money while also keeping an eye on the kiddos dontchaknow, and your dad who keeps making you cry because he won’t let you go inside and watch tv until you, for the love of pete, get that curveball right.
In this instance, let me just grant those of you who are supporters of this system that the technology is perfect. That ABS always gives the correct answer, and the system never fails. Sure, my Internet occasionally just blips out for no reason, and AI tells people that paste is an important part of a tasty crab rangoon, and Siri has never wronged a single soul, but this technological marvel always works.
But even if it is perfect, even if, like the Almighty, it is never wrong, we still shouldn’t use it.
Why? Because, like Vonnegut says, we are dancing animals, and baseball is about much more than balls and strikes, and we shouldn’t hand over any part of that dancing to the machines.
You take your kid to a ballgame. And the crowd is passionate and loud and into the game. And in baseball, sometimes these things can come down to one play, one moment, one second in time. They play nine innings, and there’s no time limit, and still, the whole thing can be decided on that one moment.
Bucky (expletive) Dent. Bill Buckner misses a routine ground ball. Benny ‘The Jet’ Rodriguez steals home.
So you and your kid watch a game, and it’s decided on a bad call on the last strike in the ninth inning. The crowd sees the replay, realizes the Ump got it wrong, and the game ends.
And after that, it’s still over, cause we don’t overturn bad calls on balls and strikes, and you go home. And the kid is upset, in his kid way, and he wonders how the game could have turned out this way. He’s upset because he’s never really experienced this kind of disappointment before. He’s upset because it’s just so unfair.
And you turn to him, and you hug him, and you explain one of the biggest, most important lessons he’s ever going to learn.
“Life is unfair,” you say.
“Sometimes the ump screws up. Sometimes your boss is mean for no reason. Sometimes the teacher just doesn’t like you. Sometimes people we love get cancer. Sometimes our children are born with problems they will carry their whole lives.”
And what we do here, when these things happen, determines who we are as individuals or who we are as a community or even this whole human experiment.
Sometimes whole countries take a wrong turn because they never learned to lose the right way. Sometimes generations of people suffer and struggle and overcome because the game is rigged against them.
You can’t be a winner until you have learned how to be a loser.
But when you navigate through life, when you dance with other people, sometimes you step on some toes.
So you tell the kid that people make mistakes. Sometimes, the teacher is wrong. Sometimes your friend betrays you. Sometimes a guy catches a foul ball and doesn’t realize he prevented his own team from making an out.
When these things happen, when the winds of fate blow hard in the wrong direction, there are only a few things you can do about it.
Your coach can go belly to belly with the ump, and kick dirt on his shoes and get thrown out of the game. This is an acceptable response to a bad call. More than acceptable, I would say, because it might fire the whole team up and get them back in the game and get your guys over the top.
But what if it’s not just one bad call? What if the team has a new owner, and she wants to move your team out of town, and so she gets a bunch of losers, and has-beens, and never-was kind of guys to play one year, sink the attendance records, and move the beloved Cleveland franchise to Miami?
What do you do then?
Well, in the words of baseball great Jake Taylor, the only thing you can do is go out and “win the whole (expletive) thing.”
You go through chemo and you yell (expletive) cancer. You stare him down in court and you testify about what happened. You tell the universe, “You think I lost? I only lost for a little while. Tomorrow I’m going to win.”
You can fight back. And then you can live life with grace and humility and an eye towards the next game, the next series and the next season.
Or you can be a guy or a girl who is constantly nursing old wounds, old grudges, and old defeats.
Or you can hang up your dancing shoes.
But what you must never do is point to a mindless collection of ones and zeroes and say, “See, I was right. I was right, I tells ya.”
Because then you would be a louse, a fink, a no-goodnik. You would be the guy who goes up to strangers and loudly tells them who you voted for and why. Or the one who announces to everyone in the restaurant that the service is bad and the food is worse. You’d be the person with a bumper sticker that says, “My kid beat up your honor student.”
Here, try this instead.
You beat us? Ahh, it could be worse, I could have to live in your craphole town. I’ve got (I’m going with Chicago for this one but feel free to pick your own MLB town) Wrigley Field and walkable neighborhoods, and deep dish pizza. What do you got over there in nowheresville?
Because baseball is not just about balls and strikes, it’s also about character and hometowns and whether our way of life is better than their way of life. And that can’t be determined by stats, or instant replay, or win percentage.
You just feel it in your bones and know it in your heart. These are my people, and this is my team.
And what do you do when your team loses? What do you do when you lose?
You can remember that there is still good in the world, Mr. Frodo, and that on the night the Red Sox finally beat the Yankees to go on to the World Series, everyone in Boston suddenly and simultaneously walked out into the street. Suddenly, magically, The Curse of the Bambino was broken.
They were stunned, and then they were overjoyed, and then they were all together dancing the night away.
It’s the last day of middle school and she broke up with you again.
You don’t know why because you don’t understand these things at all. Summer is almost here though and it promises an endless series of sunny days in a quiet neighborhood. There will be movies and pool parties and other girls that you also can’t quite talk to or understand.
As you move from class to class you hear snippets of conversations about other lives and vacations to far away places and people who are doing better than you or worse or the same depending on how you judge these things.
After lunch, when everyone’s really given up on teaching and learning your favorite teacher puts in a movie.
It’s really good, but he is the coolest teacher in the school. There’s something about the sun dying, and Ryan Gosling plays the smartest scientist on earth and he solves all the science problems and then he’s in space.
If those problems he’s solving are complicated you don’t notice cause everything flies by really fast and then, boom, a funny alien shows up.
His name is Rocky and he’s great. You like that he takes everything literally. It will be years before you notice how often aliens have that problem and how its used for laughs.
The movie ends, other kids almost clap, the girl who didn’t say anything to you all year writes, “stay cool” in your yearbook.
You walk out into the sun. It’s warm and you smile and you feel free.
———
Anyway, Project Hail Mary is by the same novelist who gave us TheMartian. And it has that Goodfellas to Casino thing going on where it is not a sequel but it very much feels like a sequel. A spiritual sequel.
Maybe the most spiritual sequel of all time given that a man names Grace rides a spaceship called the Hail Mary so that he can die for everyone on the planet.
Well he has to play some hero ball first, and crack wise with his new alien pal. But yeah, death is coming for our man Grace even if he completes his mission and saves every one of us.
It’s a bum wrap. Or a calling. Or a fine chance for Ryan Gosling to show us why he’s the man.
Visually stunning, strong character work from Gosling and Sandra Huller and all that pesky science, which truly drove me nuts when I was listening to the audiobook, is kept to the barest of minimums.
When I was listening to the book, knowing the movie was coming I kept wondering how they would handle the deep dives into archane science and explanations.
Silly me, they just ignored nearly every bit of that. The book did move me though, when it spent time with either Rocky or Huller’s character. And screenwriter Drew Goddard knows where his bread is buttered.
This movie was the longest of long shots and they sailed it through the uprights. Thumbs up. I Watched it on 70 millimeter.
If you haven’t seen it yet and you enjoy movie stars, big science fiction things and visually interesting films then you should go forth and watch this on the biggest screen you can find.
The Wolf-Charmer. Date: 1867. Accession number: 21652
Jester woke up surprised to be alive. Chained, beaten, bent but unbroken.
His supernatural eyes quickly adjusted to the darkness. His legs and arms were held by silver shackles. They held him up against a wall. The wolf would be no help. Rebel was tied down to a table, a black cloth under her and candles formed a pentagram around her form. Their kidnappers had dressed her in a black dress with red highlights at the edges. She was sleeping and breathing softly.
Jester reached out with his heightened senses. The wolf could not be free, but supernatural senses were a part of the man now and had been for some time. As we get older, Jester’s master liked to say, the man remains and yet the wolf grows more powerful inside him until the man and the wolf are inseparable and indistinguishable.
“Rebel,” he whispered. “Now, would be a good time to wake up.”
No dice. She snorted a little. Rebel had been having trouble sleeping lately. Jester wondered if she would thank their captors for the chloroform and the rest. That seemed unlikely.
Jester reached out farther. They were in the basement of an old building, from the smell of it, built with real stone and more than a century old. The air was heavy with alcohol and sweat. Couples danced above them on the ground floor. A drunk was passed out in the floor of one of the bedrooms on the second. On the third floor a young woman lay alone in a bed and wept.
Suddenly, this seemed funny, and his face uncontrollably cracked into a houndstooth grin.
Jester recalled what he said to Waylon when he announced he was going to visit Rebel at her University in Atlanta.
“I need to get out of here,” Jester said. “Away from the craziness.”
“Jester,” Waylon replied. “You are a guardian of The Southern Woods, a wolf of the old kind, who hunts down predators and protects the weak. The craziness always finds you.”
Back in his shackles Jester replied. “Screw you old man,” he said. Why did he always have to be right.
The wolf wanted him to remember something else, how the men had busted down the door to Rebel’s dorm. They wore riot gear and shot him with tasers.
Jester remembered being relieved, even as he faded to black, when he saw that Rebel’s roommate was in a supernatural sleep. Rebel and Jester had not even felt the spell the kidnappers had used to put the rest of the dorm down.
“Down Dog,” one of them said.
Keep that memory close, keep it warm, let it burn hot, the wolf whispered.
After a few hours, the party died down and single file they marched in. Their leader leaned on a cane as some of the sycophants lit up the basement with tiki torches that hung on the wall.
“Hello Dog,” he said. “I trust you slept well.”
There were six of them, each dressed in polo shirts and slacks. KTULA embroidered on the front. Right then, Jester vowed he would never tell Waylon he had been kidnapped by frat boys on a bender.
“Tell you what,” Jester said. “Y’all let us go and we’ll forget about the whole thing. I mean, if the dean finds out, you will all be on double secret probation.”
The leader picked up his cane and pressed a button on the side. Snikt. A knife extended out of the bottom of it. Without a word he slashed the side of Jester’s face. Then, he used the stone ground to push the blade back into place inside the cane.
Blood ran down Jester’s cheek and into his mouth. The wolf rumbled. “So you got a plan, or are you like a yard dog, finally caught that tailgate he was chasing?” Jester asked.
The leader started to lift up his cane again when one of the others called his name.
“Tucker, we didn’t do all this just so you could go stabby stabby on the werewolf,” he said.
“Sean, suck my ass, broh,” Tucker replied. Then he turned to Jester. “You speak out of turn again dog, and I’ll have your eyes.”
The six of them began working and insulting each other. One painted archaic symbols on the floors and the walls. Another drilled several strips of metal waist high across Jester. Sparks bounced off the wall and bit into Jester’s legs.
“Not any higher than that,” Tucker ordered. “She needs to see him.”
Jester prayed softly to himself, an old chant that separates the spirit from the body. He recalled how, several years ago, Rebel had given him half a pendant to wear. She wore the other half.
“I don’t care what happens,” she said then. “Wear this and I’ll know you and you will know me. Our hearts will always be together.”
The little pendant glowed yellow for a moment. Not enough for the frat boys to notice as they were lost in their work.
Once his spirit was free, Jester slipped into Rebel’s subconscious. In her dream, she was back at Lady DeFuniak’s home. The school were Jester, Rebel and a host of other magickal children had studied looked less like fortress Jester remembered. It was, instead, a small collection of cottages overlooked a calm river.
Also, The Rebel that lived inside Rebel’s mind wasn’t quite the young women Jester knew, but, instead the woman as she saw herself. A little taller, lankier and skinnier but not in a healthy way, he thought.
She was standing in a clearing furiously brushing a canvas with a mixure of blues and greens. She was, he realized, attempting to paint a little cottage by the water.
A version of Jester stood with her. Not the real one, but the version of him that she had created in her dream. He was taller too, but his features were jagged and almost unkind, Jester thought.
“I want us to live in this one Jester,” she said. “It needs work but it’ll be fine, a very fine thing, when we’re done.”
“God, Rebel, here?” Rebel’s dream version of Jester said. “I don’t want to live here. I just want to travel the world over and wake up somewhere new every morning and get somewhere where it don’t matter who we are or what we’ve done.”
“Jester Earle,” Rebel said. “You gotta love yourself, be comfortable with yourself, you want to love me.”
Jester slipped down and entered the dream version of himself as Rebel leaned in to kiss him.
“Hey, you know you’re dreaming, right?” Jester asked. To Rebel, two of them bobbed in and out of her vision. One man the dream, the other the reality.
“Yes of course … Jester, Jester, what the hell,” Rebel said. “Get out of here.”
“We’re in trouble Rebel,” Jester said. “I’m going but you gotta wake up, now. Get free.”
Jester retreated back to himself. The blood still flowed freely down his face. The wound should have healed by now. A silver knife, Jester realized, to go with the silver shackles.
“So,” Jester began. “Y’all were well prepared.”
“Oh Dog, talking again,” Tucker said.
“We’ve killed your kind plenty of times,” Sean said.
“Shut up Sean,” Tucker said. “It breaks the oaths to tell him.”
“No it doesn’t. The dead will never tell.”
“Oathbreaker,” Tucker said.
“Suck it,” Sean said, making an X with his arms and pointing at his crotch.
“The men of Kappa Tau Upsilon worship as our fathers and their fathers before us,” Sean continued. “When your kind, and hers and the others warred amongst yourself, and used us as fodder or our women as breeding stock, the old ones protected us, and we grew strong.”
“The book of KTHULAS law,” I said. “Yes, I’m familiar with it. It’s, well, bullshit.”
“Ohhh what fun we are going to have,” Tucker giggled. “We’ll burn you and make the witch watch. And then, cut out her broken heart and build a door of blood for the emissary.”
“You celebrate slavery and hell and call it ‘peace.’ The god you want to raise will destroy you and your families. He’ll drag you all down to outer darkness, cackling at your stupidity all the while.”
“Who are you to judge my faith and my heritage?” Sean shouted. The others watched, clearly bemused. Although one of them stared too longingly at the blood on Jester’s cheek.
“Your heritage, human, is mud huts and outhouses,” Jester said. “Each generation is given a chance to cast off heritage and build something better. And your faith is only worthwhile if it’s in the right things. Many have cried out to the Lord when it was too late.”
“If I believe it, faith makes it so,” Sean replied.
“If I have faith that this house is made of chocolate, how will it taste if I take a bite?” Jester said. “Will you have enough faith for a spoonful with me? Faith only matters if it’s in the right things.”
“I told you,” Tucker said. “Deadeyed cucks like him never understand the world. They sheep, think they’re wolves.”
“Boys, this really is your last chance,” Jester said. “Set down your weapons, unshackle us and let us go.”
“Dog, you think you can get out of those shackles?” Tucker said. “Do you know how many times we’ve done this sacrifice?”
“How many?”
“Five before you have gone to the flames in honor of the old ones,” he said, but his voice changed as he spoke. It was ancient and evil like the moon scraping the pyramids. “And you, Jester Earle, and you Rebel Grateful shall be the final sacrifice for the emissary.”
Sean grabbed a knife and walked to Jester. “More blood must be shed,” he said.
He reached up and cut Jester’s other cheek. Jester began to pull at the chains. Maybe the wall would give way, he thought.
“You think you can escape,” Sean said. “You still think you can stop us?”
“I’m not trying to stop you,” Jester said. “I’m trying to save your lives.”
Little bits of dust began to stir in the air. The flame on the torches bent and stretched and then finally blew out. And in the darkness, a whirlwind.
“I want to play,” said the whirlwind.
The words came out of Rebel’s mouth but they weren’t hers. They were bubbly and childlike, and they turned Jester’s heart to stone.
“Rebel,” Jester screamed. “Don’t kill them. We don’t know …”
The wind took his voice away.
Rebel’s shackles broke and she rose in the air. Her eyes glowed a sickly green. Bones suddenly began breaking and the room filled with the screams of their captors.
“You wanted to blind him,” she said to Tucker. “Is that right?”
He floated in front her. The thing inside him tried to push back but it was too weak. Her magical energies swatted down the attack like a tiger on a wounded gazelle.
She reached up and plucked out his eyes, first the left and then the right.
“Rebel,” Jester said. “They’ve done the rights. If you kill them I don’t know what the consequences will be.”
The little girl shrieked and threw the boys of Kappa Tau into the wall. Then she fell to the ground with a thud. A little bit of her magic unhooked Jester’s bonds. He rushed to her and held her face in his hands.
“You did good,” he said.
“You’re hurt.” She touched Jester’s cheeks, her voice returned to normal. The thing with the voice of the little girl she summoned to break her free was gone.
A small burst of magical energy wafted up from her hands to the wound on Jester’s face. It twirled and danced around the cut, but the wound didn’t bind together.
“Silver, it’ll need stitches,” Rebel said.
Jester pulled her off the ground. In that moment, he wasn’t sure which of them was weaker.
“Thoughts?” Jester asked.
“I’ll bring in my coven,” she said. “Burn the magicks out of this place. What are you going to do with the men?”
“They’ve killed for their God, and now they’ll die for it.”
“Then why didn’t you just let me kill them?”
“They’ve sanctified this place,” Jester said. “If you had, it might have opened the gateway and done for them what they couldn’t do for themselves.”
“Clever wolf,” she said.
He nodded.
Behind the altar, the voice of a moon scraping on a pyramid rang out.
“Clever dog,” Tucker said. “Boys, quick now, take my hand. We need a wall. No, not you Sean.”
Tucker’s bloody hands flexed. The words he said were untranslatable.
“What are you doing?” Sean shouted.
One of the boys realized what was happening and tried to let go. But he couldn’t – his fate sealed. His body convulsed, his spirit left him and his flesh imploded, burned and smoked away. One by one, his brothers suffered the same fate.
“What have you done,” Sean shrieked.
“I needed a wall,” Tucker replied. The smoke from their bodies moved together until it solidified across the room. Tucker and Sean were on one side and Rebel and Jester were on the other. Tucker’s wall, translucent and flesh colored, separated him from Jester and Rebel, and circled around the mystikal markings on the floor.
Rebel touched it, curiously. It wailed and stretched. Blood and puss trickled out of it.
“A soul wall,” she said. “Those boys would have been better off if I had killed them.”
“I don’t know what he’s doing but we’ve got to stop him,” Jester said. “Can you break it?”
“In time, maybe,” she replied.
“Give this up,” Jester said. “The door is on our side. You can’t escape.”
Tucker and the thing inside of him cackled. He lifted up his cane. The knife slid out of the end of it with a quick pop of metal on metal.
Jester let the wolf loose. It slashed at the wall, which bled but did not open. The souls of the boys who had formed it cried out in pain.
“Evil thing,” the wolf said.
“Yes my love,” Rebel replied. “And more evil yet to come.”
“Sean,” Tucker said. “Your turn now.”
Pitifully, Sean began to crawl away. His body, broken by Rebel, allowed him little movement, and even if he could stand and run he had nowhere to go.
“The spell needs a broken heart,” Tucker said. He was broken and blind but clearly being assisted by the malevolent spirit inside him. He crawled on Sean’s back, stabbing him with the cane and smashing his head into the wet, bloody concrete. He stabbed Sean again, then again, like a snake injecting venom until its prey grows still and helpless.
Tucker cut into Sean as best he could, hacking, smashing bone and ripping into flesh with his fingers until he pulled out Sean’s heart. His legs broken, Tucker shouldn’t have been able to stand, but he crawled up the wall on his back like a crab. He scraped the heart and the blood it expelled across the wall to create a crude outine of a door.
“Lig Ta Mak, Serve Me Now, a heart for a doorway into your realm,” Tucker called. “The price is paid, now come bring your everlasting rule to this place.”
The brick and mortar wall inside the blood door crumpled and rushed away into a starless void. The human part of Jester’s mind screamed for them to run, but the wolf wouldn’t listen.
At first Jester couldn’t see what approached from the stars. They were black things that seemed to disappear, to be invisible to a naked eye. They had the legs of men but a mesh of tentacles where their arms should be and faces that ran from the light.
“If they leave this place …,” Rebel said.
The wolf roared.
“You fools,” Tucker said. “The master’s creatures will have you.”
There were two of them, maybe three. As a group they moved past Tucker and examined the soul wall, intrigued. Then they ate it, bit by bit.
The wolf couldn’t understand what his senses told him. The creatures radiated coldness and they moved with the quiet of the grave. When they breached the soul wall the wolf struck and missed, and one of them wrapped his arm in its tentacle. The cold enveloped Jester’s arm which suddenly felt like dead weight.
The wolf cut through the tentacle and backed away, hurt. Little pucker marks gashed his flesh and bone.
Waylon would have had some totem, a bit of magic, the gun that killed the last viking or the Spear of Destiny, that would have repelled the creatures. Jester had left all that behind when he struck out to see Rebel.
“You know, this was supposed to be my vacation,” he said. “Rebel, when I’m done, cleanse them with fire.”
“How will I know when you’re done?” she asked.
“You’ll know.”
The wolf threw itself at one of them. Claws and fangs struck anywhere it could find flesh. The shadow creature wrapped itself around him and tried with all its might to snap the wolf’s neck.
The wolf kept fighting, inky black bile filled its mouth with every bite, fleshly limbs fell away at every strike. It went on that way until the wolf sensed how deep it was and with one motion tore the creature in two.
The not quite dead thing screamed. The wolf recognized it for a curse. The other two shadow creatures screamed in answer and flung themselves at him.
Rebel blocked them with a barrier spell from her left hand and set the torn thing to fire with her right.
“It’s okay Rebel, let them go,” Jester said.
Together the creatures wrapped themselves around the wolf bit by bit, fingers, legs, arms. Jester began to fade away until Rebel struck one on its head with a holy fire. Its black face popped, leaving bile and gore everywhere. As it slid off Jester, the wolf bit through the flesh of the other one and ripped it apart. Rebel burned through anything left that put up a fight.
When it was over Rebel, collapsed to the ground.
The wolf however, was not sated. He turned its attention to Tucker and growled.
Tucker held his silver cane aloft, the knife at the end shaking.
“That was nothing, my master will send hundreds, thousands of those servants through my door,” Tucker screamed. “He’ll overpower you and then we’ll finally take back this mudball for my people.”
Rebel pulled herself up to her knees and then, slowly, to her feet.
“They’ll all burn,” she said. “Until there is nothing left. Not even the memory of you and yours.”
Inside the doorway a sound like two cold celestial bodies scraping together interrupted.
“Your people,” it said to Tucker. “As if the master needs you. And yours. Is that what you think you have done here, little human?”
The voice rested in the back of Jester’s head, like a spider crawling and scratching inside the skull.
“I made you a door,” Tucker said to it, like a child who hadn’t gotten what he wanted for Christmas. “Now, smite my enemies!”
The thing that stepped through the door was shaped like a man. Well groomed and dressed although his clothes seemed to change from moment to moment. Sometimes they looked like a white suit, perfectly cut, with a sharp black pocket square. But look again and the man wore a flowing robe from ancient times.
His eyes though – or was it a her – the gender sometimes seemed to change with the clothes. Its eyes were inky black. Behind its pupils, Jester could see shapes, like bone or teeth moving in and out of view.
The creature bent down and stared at Tucker. “Tell us more of your plans.”
Tucker’s spirit broke as all at once his expression went from something resembling consciousness to an empty void.
And behold he saw the face of his God and discovered he was a man of unclean lips amongst a people of unclean lips, Jester thought. Rebel began to whisper an incantation.
“Witch, you’ll have no need of that spell,” the old one said. “I have not yet come to rule. My master’s time will not be determined by such as these. Wolf, let us talk as men.”
“Do you have a name?”
“The Proclaimer, the First Sign of the New Age, the Prince Who was Promised. I have many names,” it said. “So far, in this millenium, I’ve been partial to Jeremiah.”
“We can’t let you leave. You need to go back,” Jester said.
Magical energy cascaded around Jester and Rebel. It was not painful, instead, it felt like the kiss from a familiar lover.
“You want me to leave?” Jeremiah said. “But what fun we could have. A wolf of the old tribes and, from what I’ve seen of you, the most powerful witch in this world.”
And he showed it to them. His plan to walk across the world. A witch at his right hand, a wolf on his left. In his vision, the three of them tore down the foundations of the world and remade it.
The three servants of the king. They would proclaim it to the whole earth.
The king is coming.
“You see,” Jeremiah said, “If they had just followed my whispers, and killed you like they were supposed to …”
“How could we have …”
“Your mind is still a linear thing, witch,” Jeremiah said. “I would have remade you, I would have dried all your tears and mended the heart he cut out of you. But come, look at this. This is the doorway he made with the wrong heart. You see it. It would never sustain. Even now, it folds in on itself.”
The wolf returned and growled. Rebel’s arms lit with magickal fire, reverberating up to her eyes and bouncing out into the air like sparks on a cigarette thrown out in the night.
Jeremiah raised his hands in a gentle concession.
“There is no need, my pets,” he said. “I will leave this place. Our time has not yet come.”
The remains of his creatures and Sean’s body floated back through the door. Then he raised Tucker back to himself.
“What do you think,” he said. “Should I give him his mind back?”
Jester and Rebel stayed silent.
Tucker returned to himself. And then began to scream. As Jeremiah sent him floating for the door, Tucker turned to Jester.
“Help me,” he sobbed. “Don’t let him, don’t let him, merciful God, don’t let him take me.”
Jeremiah stopped and turned and stared.
“Well wolf,” he said. “Will you fight me for this one? Would you risk your life and hers to save him?”
Rebel grabbed Jester’s hand.
“No,” he said.
And with that, Jeremiah left them in darkness, the portal melting away behind him.
After some time, Jester and Rebel set a small smoky fire and evacuated the building. Once they were sure everyone was out, Rebel set down the true blaze and reduced everything to ashes down, to the foundation.
It was done and they were gone before the first fire truck arrived.
They walked a few blocks away from the ruin and, reaching into her pocket, Rebel pulled out her phone and called an Uber. When the driver got a look at Jester’s gashed face and Rebel’s ash covered hair, he turned a whiter shade of pale.
It was, Jester later remarked, the quietest ride the two of them had ever shared.
* * *
Back in her dorm, Jester and Rebel collapsed into bed together and slept, unbroken and undisturbed, for a day and a night. Rebel only awoke when she felt Jester stir.
His back was straight as a coffin and she heard him gasping for air.
She reached out to him and waited as his breathing returned to normal.
“Jester,” she said. “What is it that disturbs you?”
Jester stared at his hands, illuminated by a shaft of moonlight through Rebel’s open window.
“In my mind I was back there,” Jester said. “Only this time I pushed you aside, raced to Tucker’s cane and used it to stab that thing that called itself Jeremiah in the heart. I killed it, I think, but in death it grabbed me and pulled me through to the other side. And, and I feel as though I am there with him, screaming and falling, into an eternity of darkness and pain.”
“Love of my soul,” Rebel replied. “Let not your heart be troubled.”
“That isn’t what got to me,” Jester said. “Some part of me believes that my dream actually happened. And that I am there, even now, falling in that dark realm. And all of this is an imaginary construct my mind created to protect me from that place.
‘And if that’s so,” Jester’s voice was rising now. “If all of this is just my mind’s way of protecting myself … how would I ever know if this is real?”
Rebel pulled Jester down and kissed him. She held him to herself until the tense muscles in his body finally relented and they both went slowly and stubbornly back to sleep.
As he drifted off into the dark again, Jester realized that Rebel never answered his question.